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Love's 1967 psychedelic folk masterpiece Forever Changes on 180g vinyl, cut from the original analog master: "Alone Again Or," "Andmoreagain" and "You Set the Scene."
This Rhino pressing was cut by Chris Bellman at Bernie Grundman Mastering from the original analog album master, pressed at RTI on 180g vinyl and packed in a tip-on jacket. Forever Changes is named among the greatest albums of all time by a host of publications.
In 1967, while much of the world was in a paisley haze, Arthur Lee was writing songs from his house in the Los Angeles hills that looked at the era with a clearer, cooler eye. Love's third album traded the band's garage-rock punch for acoustic guitars, strings and horns, and the result is one of the most beautiful records of the decade.
Bryan MacLean wrote two of the best-known songs: "Alone Again Or," with its flamenco guitar and mariachi trumpet, and the gentle "Old Man." The rest belongs to Lee, from the delicate "Andmoreagain" and the brooding "A House Is Not a Motel" to "The Red Telephone" and the sweeping closer "You Set the Scene." Lee produced it with Bruce Botnick, and the orchestral arrangements give the songs an eerie, luminous glow.
It was the last album by the original lineup and grew in stature year after year, reaching No. 24 in the UK at the time and much higher in critics' estimation since. Some records come with a long title on side two; "Maybe the People Would Be the Times or Between Clark and Hilldale" is a street map with a melody.
Also at Kops: more Love on vinyl · browse Rock
Side A
1. Alone Again Or
2. A House Is Not A Motel
3. Andmoreagain
4. The Daily Planet
5. Old Man
6. The Red Telephone
Side B
1. Maybe The People Would Be The Times Or Between Clark And Hilldale
2. Live And Let Live
3. The Good Humor Man He Sees Everything Like This
4. Bummer In The Summer
5. You Set The Scene
On Elektra / Rhino (cat# R1-74013), a reissue of the 1967 album.
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