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Every Elliott Smith album has a special place in his fans' hearts for different reasons, but Either/Or gave us our first real glimpse of the ace popsmith he would soon become.
Either/Or is where Elliott Smith's songwriting came fully into focus. "Between the Bars," "Say Yes" and "Angeles" ended up in Good Will Hunting, which led to an Oscar nomination and a whole new audience.
Anyone miss Elliott Smith every single day? I know I do. Sigh.
After the gripping lo-fi indie-pop volleys that were 1994's Roman Candle and 1995's Elliott Smith, the singer/songwriter expanded his musical palette and his fidelity juuuust a little bit on 1997's Either/Or. And while it's always up for grabs which Elliott Smith album is the best Elliott Smith album (they're all fantastic, by the way), this one felt like the best one yet at the time.
In hindsight, too, you can see the elevated popcraft that would soon catch on with the fringes of the mainstream when Smith was gifted with bigger budgets and real studios on the major-label records XO and Figure 8 coming along quite nicely here. Indeed, it was indie director Gus Van Sant's adoption of several of the sadly beautiful pop tunes from Either/Or ("Between the Bars," "Say Yes" and the stunning "Angeles") for the Good Will Hunting soundtrack that would help pave the way towards his eventual deal with DreamWorks Records.
Also at Kops: more Elliott Smith on vinyl · browse Alternative
Side A
1. Speed Trials
2. Alameda
3. Ballad of Big Nothing
4. Between the Bars
5. Pictures of Me
6. No Name No. 5
Side B
1. Rose Parade
2. Punch and Judy
3. Angeles
4. Cupid's Trick
5. 2:45 AM
6. Say Yes
On Kill Rock Stars, first out in 1997.
Info from Wikipedia.
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