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Released on November 17 1967, it follows the progression of a single day, dawn to night. It's been cited by the Rock and Roll Hall of Fame and others as one of the earliest albums of the progressive rock genre and one of rock music's first concept albums.
The album represents a significant creative turning point for the band. The album is their first with guitarist and singer Justin Hayward, who replaced Denny Laine, and bassist John Lodge, who replaced Clint Warwick. The album is also their first to feature longtime producer and collaborator Tony Clarke and the first to feature keyboardist Mike Pinder on Mellotron.
The album was a moderate success upon release, but steady FM radio airplay and the success of hit single "Nights in White Satin", led the album to become a top ten US hit by 1972. New York magazine dismissed it as "a ponderous mound of thought-jello." However, the album has since received acclaim; for example, Spin cited it as a classic of progressive rock. By 2007, Rolling Stone — which had originally described Days of Future Passed as "an English rock group strangling itself in conceptual goo"— included it in its list of the essential albums of 1967.
TRACKLIST
The Day Begins
The Day Begins
Morning Glory (unlisted)
Dawn: Dawn Is A Feeling
The Morning: Another Morning
Lunch Break: Peak Hour
The After
Forever Afternoon (Tuesday)
(Evening) Time To Get Away
Evening
The Sunset
Twilight Time
The Night
Nights In White Satin
Late Lament/Resolvement (unlisted)